![]() “We wanted to not feel like we had put our destiny in somebody else’s hands,” Makino explains with composed sincerity. Following a spurt of creativity nursed in the brooding melancholy of those sickly days, the band floated in labelless purgatory for another year before they felt comfortable signing their work into the hands of section1-a teensy, toddler-aged venture working out of L.A. Still, the LP is a five-year labor of persistence and resilience, a psychedelic rumination around the void of isolation the world fell into during the pandemic’s first months. Sit Down For Dinner, Amedeo explains, is the culmination of a decades-long effort to speed up their creative processes. Theirs is a sound whose every angle is examined, every dark corner scoured. And really, that’s the only word to describe Blonde Redhead: intentional, and sometimes devastatingly so. It’s funny how that always seems to happen to the bands whose songs are the most intentional and the best thought out. Blonde Redhead was reborn in the zeitgeist, though not as they deserved to be. Even if you don’t think you know them, you probably do: “For the Damaged Coda,” the eerie finale of 2000’s Melody of Certain Damaged Lemons, went viral as the theme song for Rick and Morty’s Evil Morty character and rose to meme-ified fame 20 years after its initial release. These are the three minds behind Blonde Redhead, the mid ‘90s and early aughts alt-rock trio who just released their first album in nine years (since 2014’s Barragán) last Friday. Simone sits half-obscured in a dark kitchen, eyes trailing thoughtfully across the screen. Linen-shirted Amedeo reclines in a small, overgrown garden, shrouded in late-afternoon sun. Twin brothers Amedeo and Simone Pace flank her in their little virtual boxes, all three calling in from distinct locales and times zones. ![]() I’ve never seen someone actually emanate serenity through a Zoom screen before. ![]() Her purple bikini absorbs the filtering sun. A soft breeze ruffles her long, copper-dyed hair as she cuddles a small dog. Ashley Shadow (feat.Glimmering in the light, Kazu Makino sits on a patio filled with cozy outdoor furniture.Approachable Members Of Your Local Community 1.A Dead Forest Indexm Red Sleeping Beauty 1.Reloaded - 25/May/2015 - download link in comments. Sound Quality:Very Listenable mono bit rates.īetter quality versions of tracks two and three are also included on the official Beatles album Anthology One. Source: Live, studio and home (reel tapes). This is the first of three features and inevitably the sound quality is average (but quite listenable) and their will be some more duplication of material.Īrt work from the CD boots is included in the download files. The obvious historical nature of the recordings continues to fascinate fans over four decades on. With the amount of interest generated by John Lennon's first band (joined by Paul McCartney & George Harrison along the way) it is not surprising that many versions of the same material have surfaced down the years. Some of this material is a duplication on the first Quarryman bootleg featured on Beehive Candy, however this is from an alternative CD source and the sound quality is much cleaner. This is another selection of material from The Quarrymen dating back to 1957.
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